Topics in Sound Production (401-0-22)

Topic

Museum Sound Design

Instructors

Matthew Test

Meeting Info

Abbott Hall Wirtz Chicago 203: Fri 11:00AM - 1:50PM

Overview of class

Museums contain cultural multitudes. In this course, students will explore the many ways sound is employed within museums to conserve, interpret, and exhibit humanity's tangible and intangible heritage. We will examine sound through the lenses of exhibition design, curatorial theory, and interpretive practices, considering how it functions as both content and context in cultural spaces.

Through class discussions, creative projects, site visits to institutions such as the Museum of Contemporary Art Chicago and The Block Museum, and guest lectures from experts in the field, students will gain both conceptual knowledge of design principles and practical skills for implementing them effectively. The course will also address the future of museum sound, including developments in augmented reality, radical accessibility, and other emerging practices.

The semester will culminate in a large-scale design project that integrates the concepts and methods learned throughout the course.

Learning Objectives

To develop a familiarity with the basic strategies and methods of designing audio for museum exhibitions and performances.

To learn about common technologies and solutions for fixed and interactive sound distribution within a museum institution.

To gain practical knowledge of museum best practices through working with professionals in the museum field.

Creatively engage in sound design practices within a curatorial and interpretive scope.

Class Materials (Required)

There are no textbooks or other materials required for this class. Readings that may be suggested based on the specific interests of the class will be provided by direct download, canvas, or URL.

Class Notes

***This class meets on the Chicago Campus***