Literary Histories (200-0-21)

Topic

American Nightmare: Race Science from the 18th C t

Instructors

Rio Mckade Bergh

Meeting Info

555 Clark 230: Mon, Wed 2:00PM - 3:20PM

Overview of class

Topic: American Nightmare: Race Science from the 18th C to the Present

Is the American dream only a white dream, even a fantasy? Jordan Peele's Oscar-winning 2017 horror film Get Out, in which a white liberal family systematically transplants the brains of their aging family members into the bodies of Black people, satirizes the postracial fantasy of colorblindness. White wealth and flourishing (and eternal youth) are based on a horrifying techno-fix: the exploitation and extraction of Black life, the production of a living nightmare. Peele's film raises unsettling questions about the American conception of race—questions with deep histories—which this class aims to explore: How has race been mobilized as a structure of white supremacist social control? What has racialization meant for those being racialized? Centralizing the work of Black and Indigenous thinkers, our goal will be to interrogate what race has meant in American culture over time. We will read a selection of excerpts and short texts from the 18th and 19th centuries to learn about the development of "race science" as a logic underpinning violently imposed social hierarchies. In tandem with this material, we will analyze Peele's film and two contemporary novels with historical roots: Colson Whitehead's The Nickel Boys (2019), the story of a young Black man in a "reform school" in 1960s Florida, and Tommy Orange's Wandering Stars (2024), which traces the experience of two Indigenous boys at the Carlisle Indian School, an institution designed to destroy Native culture. In doing so, we will aim to investigate the question: What are our contemporary inheritances of these histories?

Class Attributes

Literature and Arts Foundational Discipline
Literature & Fine Arts Distro Area