Doc Film History & Criticism (313-1-20)

Topic

Art of the Real: A History of Documentary

Instructors

Michael Streicher Metzger

Meeting Info

Louis Hall 119: Mon, Wed 3:00PM - 5:50PM

Overview of class

This class will explore fundamental questions in the art and theory of nonfiction cinema. Students will view a range of observational, engaged, experimental, personal, industrial and commercial films from across the 130-year history of the medium, surveying acknowledged landmarks alongside under-recognized outliers and contemporary works. The course materials (including an intensive in-class screening schedule as well as visits from guest filmmakers, curators, and critics) will situate documentary within a spectrum encompassing narrative, avant-garde, and non-theatrical approaches to film. Readings and discussions will examine the material, formal, ethical, and political conditions of production and reception, paying close attention to questions of technology and environment and applying feminist and decolonial frameworks to prevailing narratives. Students will be asked to maintain consistent attendance, produce regular response papers, lead discussion around films and texts, and produce a final research paper or a final media arts project.

Learning Objectives

Engaged students will emerge from this class as more receptive, sensitive, and informed viewers of films from across the global history of nonfiction cinema. The course aims to provide the tools for close analysis, critical comparison, and constructive discussion of media; to create a space for informed and respectful debate of challenging and often imperfect objects; and to empower students to advance their own perspectives and to envision new futures for documentary film.

Class Materials (Required)

All readings and screenings will be made available via Canvas or in class

Class Attributes

Literature & Fine Arts Distro Area