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Topics in Non-fiction Media (377-0-20)

Topic

The Crime-Centered Documentary

Instructors

Debra K Tolchinsky

Meeting Info

Annie May Swift Hall 219: Tues, Thurs 12:30PM - 1:50PM

Overview of class

In this course, we will view non-fiction and hybrid films that revolve around crime, criminal justice, and criminal court cases. Our emphasis will be on cases that are either mired in controversy or emblematic of wider social concerns. Readings will augment viewings as we weigh legal, philosophical, or scientific perspectives: What is accurately depicted? What is omitted? What is misrepresented? Concurrently, we will investigate the films aesthetically: How is the film structured and why? What choices are being made by the filmmaker regarding camera, sound, and editing, and how do these choices affect viewers? Throughout the course, we will consider the ethics of depicting real people and traumatic events. We will also look at specific films in regard to their legal or societal impact.


Assignments will include a series of short response papers and a substantial final project, which can take the form of either (up to the student) a ten to twelve-page paper or a six to twelve-minute film/podcast/media project. Projects should center upon a legal topic. Ideas include, but are not limited to, a paper that compares two films depicting the same criminal case or a polished/edited film interview with an individual connected to a crime or involved with the legal system (a defendant, a lawyer, a judge, a policeperson, etc.). Additional topics could center around mitigation films, viral crime videos, local courts, legal advocacy centers, or hybrid crime films.

Registration Requirements

For RTVF students, RTVF 190. LS and HUM students do not need that prerequisite.

Evaluation Method

Attendance, class participation, professionalism: 20 % of grade

Two short papers, 15 points each: 30 % of grade

Final project proposal/pitch: 10 % of grade

Final Project: 40 % of grade


Grades will be determined according to 50% professionalism and 50% clarity of vision/ability to communicate that vision.


For our class, Professionalism will entail:


  • On-time completion of work

  • Fulfilling the assignment per the parameters described in the syllabus

  • Listening and thoughtfully responding to feedback when applicable

  • Considerately providing critique to your classmates when applicable



For our class, clarity of vision/ability to communicate that vision will entail:


  • Conceptualizing and comprehensively articulating your ideas via writing, talking or media depending on the assignment.


Class Materials (Required)

All reading material will be posted on Canvas or handed out in class.


Although most films will be available on Canvas, a basic Netflix subscription or access
to Netflix is necessary for this class. As of this writing, the cost is approximately
seven dollars a month (there may be some tax). Subscriptions can be canceled when
the course terminates (there are no contracts). https://help.netflix.com/en/node/24926?ui_action=kb-article-popular-categories


Supplies, picture/audio editing software, and equipment are students' responsibility if they decide to create a media project instead of a final paper. Students can use their cell phone and their computer or pending availability, they may borrow equipment from the Northwestern Library: https://libguides.northwestern.edu/circulatingequipment/mainlibrary. RTVF students who have filled out a deposit card and taken 190 may acquire gear from the equipment cage. All media projects must be backed up on a hard drive (approximately 60 to 130 dollars for 1TB depending on the brand) and turned in via a private password protected downloadable link such as Vimeo. (Vimeo starter membership is currently $9 per month billed annually). https://vimeo.com/upgrade?context=homepage

Class Notes


  • Attendance at first class is required unless cleared by the professor.

  • For students who have not completed RTVF 190, if you choose to make a film or podcast for your final project, you must have access to equipment and editing software.

  • Students must strictly adhere to RTVF Production Handbook and Covid Best Practice guidelines: https://communication.northwestern.edu/radio-television-film/for-current-rtvf-students/.

  • Technical skills such as lighting, camera, sound, and editing will not be taught in this class.

  • Group projects (two people max) will be allowed.

Class Attributes

SDG Peace & Justice

Enrollment Requirements

Enrollment Requirements: Students must have completed RTVF 190-0 in order to register for this course (concurrent registration is not allowed)